Nemesis – Misha Glenny

Given all these outgoings, Nem recognises the importance of restoring the business to the flourishing enterprise it became under Lulu. How to do so is a colossal challenge. The police later tell me that he quickly developed an excellent reputation among medium and large wholesalers for being a good payer, and accessible. One of these, a Bolivian, told them, ‘Rochina is like a party – you go with coke and they’ll buy it on the spot with cash. You get there, you have women, funk parties and the business is sorted out then and there, cash with no awkwardness.’ The dealer then contrasted this with selling in Sao Paulo to the PCC. ‘It was terribly tedious.’ he remembered. ‘You pitched up with stuff to sell and they would then make you wait in a hotel for ten days before they’d see you. At your expense, of course!’

From A Whole Life to a real life on another side of the world.  Nemesis tells how ‘Nem’ asks the ruler of his favela for money to save his daughters life and offers to work to repay it, leading him to eventually take over the favela himself, the drugs, the deals with the police, the usurpers and rival gangs, until he is the most famous and feared criminal in Brazil.

Reading Misha Glenny’s fascinating and enthralling account, you would be forgiven for thinking that his imagination was greater than that of Neil Gaiman or George R. R. Martin. The absolute fearlessness and impunity of the criminals, the incompetence of the police matched by their voracious appetite for corruption and behind it all the mastermind, painting himself as a good guy in a bad world.

At the beginning of the book, Glenny asks if Antonio Francisco Bonfim Lopes was the spider or the fly in Rio’s dirty web, by the end of the book you are no clearer, although there’s a wry smile on your face. Nem learnt from his predecessor Lulu that a peaceful environment was good for business, and so tried to keep the peace in Rochina as much as possible, including keeping his young security detail from being trigger happy and keeping the police out. His move from every man to drug kingpin comes from his calm intelligence which is reflected in his handling of most situations throughout his life. While the initial portrait of a normal man driven to extremes by circumstance is valid at the beginning of the book, Nem comes to fully embrace his life before looking for an escape towards the end of his time in Rochina.

The structure of the large gangs controlling the favela’s, the influx and influence of drugs is reported in detail by Glenny, giving colourful and relevant background to life in the favela’s and even outside, as two officers spent years collecting and collating data on one of the most secretive bosses in Rio’s underworld, who had different phones to talk to different people and who bought the loyalty of the favela by providing basic goods and services in the absence of any state apparatus. The rules and behaviour of the favela’s were both horrifying, such as microwaving, and incredulous in turns, if the boss picks a girl, once he got bored and put her down no one else was allowed to touch her. However when Nem is confronted by his wife and his girlfriend, he threatens, sulks and runs off, this even when he was at the peak of his powers.

As the favela changes gangs, as people try to leave but find they can’t, as the few honest and capable members of the police close in, Nem starts looking for a way out that would guarantee the safety of his family (including all women and children) and it’s largely thanks to the incompetence of the civil and military police that he somehow manages to achieve this.

Given the interest generated by the myriad of documentaries about El Chapo, the success of shows like Narco’s I would be surprised if more people don’t ending reading this, it’s a brilliant book that gives a detailed insight into a life that I can barely imagine, and yet is everyday for the city of Rio. A massive thank you to Misha Glenny for researching, interviewing and writing this, an important and fascinating read into the marvellous city’s underbelly.

Later that evening, once word of his arrest spread, Simone went to his mother’s apartment, where the clan was gathering. Everyone was crying and lamenting the news of Nem’s detention. ‘Except, of all people, Dona Irene, who was sitting there perfectly calm sipping a beer,’ Simone recalls. ‘I imagined she, as his mother, would have been among the most upset of all.’ Amidst the hubbub, Simone heard her say quietly, ‘Well, it was a little quicker than I thought.’
‘Sometimes,’ I tell Antonio on my last visit to the jail, ‘I can’t help thinking that you planned the arrest yourself.’ I leave the sentence hanging. He doesn’t say anything, but he looks at me and gives me a cheeky smile.




A Whole Life – Robert Seethaler

Egger felt Marie’s body next to his. He put his arm around her shoulders and heard her quiet breathing. On the other side of the valley the glowing lines swooped across the hillside in arc after arc, or closed in rounded shapes. Right at the end a single dot lit up above the I on the top right, and Egger knew that old Mattl himself had clambered across the scree to ignite the last bag of paraffin. FOR YOU, MARIE stood inscribed on the mountain in huge flickering letters, visible for miles around to everyone in the valley. The ‘M’ was rather crooked, and there was a piece missing, too, so that it looked as if someone had pulled it apart in the middle. At least two of the bags had apparently failed to catch fire, or hadn’t been set at all. Egger took a deep breath: then he turned to Marie and tried to make out her face in the darkness.
‘Will you be my wife?’ he asked.

I actually don’t think it’s possible to get a more opposite book to American Gods than A Whole Life by Robert Seethaler. While pretty much everything happens in American Gods, hardly anything happens in A Whole Life, yet it is just as compelling and enjoyable, but in a completely different way.

Say hello to Egger, who lives, apart from when he’s sent to war, in the same village, or just outside it, in quiet solitude. He works on the early ski lifts and meets a girl and starts a family before the mountain decides that’s not for him. He spends the rest of his life on his own and Seethaler takes the ordinary and makes it extra ordinary, the simple and makes it beautiful and poignant, and balances it all perfectly.

As Egger gets older he witnesses the change in the village. His experience of being at the front during the war is told simply, yet you feel the sheer emotion of it, even as it’s treated as just another chapter in his life. His love for the mountains and the nature surrounding him bring comfort and an anchor to his life, and the trials that it brings him at one point or another. For me the moments that have lingered after finishing are the teacher that Egger tentatively connects with without knowing really why or what to do, and his realisation that he’s spent his entire life in the village. The bus trip he takes, was, to use the words of Jim Crace from the cover, Heart-rending.

A Whole Life is a slim book, yet Seethaler manages to literally cover a whole life in it, one that, blends every experience into human existence regardless of how joyful or painful it is, and is beautiful and compelling to read because of that.

One clear autumn day, when a roll of sandpaper slipped out of his hand and sprang down the slope like an impetuous young goat before eventually sailing out over a spur of rock and vanishing in the depths, Egger paused for the first time in years and contemplated his surroundings. The sun was low, and even the distant mountaintops stood out so clearly that it was as if someone had just finished painting them onto the sky. Right beside him a lone sycamore burned yellow; a little further off some cows were grazing, casting long, slim shadows that kept pace with them step for step across the meadow. A group of hikers was sitting beneath the canopy of a small calving shed. Egger could hear them talking and laughing amongst themselves, and their voices seemed to him both strange and agreeable.


American Gods – Neil Gaiman

‘Lady Liberty.’ said Wednesday. ‘Like so many of the gods that Americans hold dear, a foreigner. In this case, a French woman, although, in deference to American sensibilities, the French covered up her magnificent bosom on that statue they presented to New York. Liberty,’ he continued, wrinkling his nose at the used condom that lay on the bottom flight of steps, toeing it to the side of the stairs with distaste – ‘ Someone could slip on that. Break their necks,’ he muttered, interrupting himself. ‘Like a banana peel, only with bad taste and irony thrown in.’ He pushed open the door, and the sunlight hit them. The world outside was colder than it had looked from indoors: Shadow wondered if there was more snow to come. ‘Liberty,’ boomed Wednesday, as they walked to his car, ‘is a bitch who must be bedded on a mattress of corpses.’

Well…Well, where do I begin with this. I confess my book loving friends that I did this wrong. I watched American Gods the TV series on Amazon before I read the book! I know, never watch before you read. But Lovejoy was in it. And I’ll be honest, because you know, if you can’t be honest in your blog just where can you be? I’d never really been interested in the book until I watched the TV series. After after I finished the series I sat there and thought, without a doubt that was the weirdest thing I have ever seen.

I bought the book, with the TV series cover, that is in fact, the directors cut equivalent, that it includes some 700 billion extra pages (the actual number may differ from this).

It’s my first Neil Gaiman book and I loved it. I loved the storytelling, a real world George R. R. Martin crossed with David Mitchell’s The Bone Clocks, you can just read and read and read and never want to put the book down, even when you don’t have a clue what is going on. but for you I will attempt to summarise (Cue spoiler alert). SPOILER ALERT.

Shadow Moon is getting released from jail, and he can’t wait to see his wife. Except for his wife is dead after being killed in a car accident with his best friend who coincidentally was her lover. So, heartbroken, Shadow is released early and after a little coercion, signs up to work for Mr Wednesday. As if someone who literally asks you what day of the week it is and then calls himself after that day isn’t suspicious at all. But you know, Shadow just doesn’t care right now.

Mr Wednesday is, well he’s different, and special and oh by the way did I mention he’s the Norse God Odin? Shadow slowly works this out until it’s pretty much smacking him round the face, as Wednesday starts rounding up the old gods, gods that have travelled across the sea from the old countries to the land of the free, for a ding dong with the new gods, technology, media, television etc. Shadow realises he is caught up in something beyond his comprehension, but also that his involvement is not completely by chance. Meanwhile, Laura, Shadow’s deceased wife, realises now she’s dead that she does in fact love Shadow and comes back to tell him and also help him with some new found supernatural powers. I mean, how does that work? Well the leprechaun has the answer there, obviously.

So while the old and the new square up, Shadow is having weird dreams and meeting even weirder and wonderful, and not so wonderful people, and trying to keep his head down and wrap his brains around everything, particularly why his dead wife is back and keeps talking to him.

I will confess further that I got slightly lost at the end, regarding Whisky Jack and the Buffalo man but that’s probably me being so excited I skim read some crucial points along the way, such is the pull of Gaiman’s story telling and my appalling attention span.

If you enjoy fantastic story telling, read this. To be honest you can watch the first season of the TV series which deviates from the plot somewhat, but I would still read the book first, because, well because I’m a book lover the book is pretty much without exception, always better than the celluloid adaptation. Gaiman includes lost of historical stories of how the gods were brought over from the old countries and slowly forgotten or replaced, and it all ads up to what is unquestionably an engrossing incredible epic of a book.

There was a girl, and her uncle sold her, wrote Mr Ibis in his perfect copper-plate handwriting.
That is the tale; the rest is detail.

There are stories that are true, in which each individual’s tale is unique and tragic, and the worst of the tragedy is that we have heard it before, and we cannot allow ourselves to feel it too deeply. We build a shell around it like an oyster dealing with a painful particle of grit, coating it with smooth pearl layers in order to cope. This is how we walk and talk and function, day in, day out, immune to others’ pain and loss. If it were to touch us it would cripple us or make saints of us; but, for the most part, it does not touch us. We cannot allow it to.


The Following Story – Cees Nooteboom

Teaching children the language they were already hearing in the echo chamber of the womb, long before they were born, and stunting the natural growth of that language with tedious drivel about ordinal numbers, double plurals, split infinitives, predicative uses and prepositional connectives is bad enough, but to look like an underdone cutlet and pontificate about poetry, that’s a bit much.

So I came to this slim volume by way of the World Book Club on the BBC world service. The monthly grilling by Harriet Gilbert and members of the audience worldwide accompanying my Sunday night ironing, such are the foibles of habit and routine. I’ll be honest though, I can’t remember much about the session with Nooteboom, except that the book opens in Lisbon and I remember listening and being intrigued by the story as it was picked and pulled apart by the usual voracious audience.

Still it look me a good while before I plunged in and bought it, there always being something more pressing to be bought in front of it, until I decided to finally read the Following Story.

Herman Mussert wakes up in a Lisbon hotel room despite going to bed the previous night in his house in Amsterdam. If only travel were that easy. Despite this, he calmly assures himself he is not dead, he still has all his faculties and thoughts, although the inclusion of Portuguese money in his wallet was unexpected, and gets up to establish what is going on.
He had been in this particular hotel room before though and he slowly threads his way through memories and experiences, recounting his life and embarking on a journey further away from his home – and deep down the Amazon river in Brazil (Brazil you say? well I’m in!)

What I loved most about The Following Story was Mussert’s wonderful subtle humour than surfaces throughout the whole book, his unflinching honesty about himself and his character, which comes with age and bitter experience, yet which doesn’t diminish the pleasure he takes from life. These pleasures include his time teaching in university and the women he meets there that become integral parts of his life. And it’s understanding his relationship with these women that ultimately becomes what the following story is about.

As Mussert comes to the end of his physical and meta-physical journey he has stopped thinking about the Mussert who went to bed in Amsterdam and become the other Mussert, who listens to others recount their lives before it’s his turn, and he recounts The Following Story. (Do you see what he did there?)

“As soon as I stepped out of the sacristy into the Duomo I would feel sick. I felt like a floor-cloth, waiting for them to wipe off their lives on me. You have no idea to what lengths people will go. You have never seen their faces at such close quarters either, the hypocrisy, the lewdness, the rank sheets, the greed. And they kept coming back, and one kept being forced  to forgive them. But in some horrible way that made one an accomplice, one was drawn into the liaisons that they were unable to break off, into the sordidness of their characters. I fled from all that, and went into a monastery. I could no longer bear the human voice unless it was singing.”