Wednesday 22nd of February – Sadlers Wells
Well. Not one for the purists. As we trooped in to the small and intimate Lilian Bayliss studio we were greeted by the site of a piano and a drum kit. a piano! No no this won’t do, this won’t do at all, what does Santiago Lara think he’s playing at. Flamenco with all it’s heart wrenching emotional power and jazz, whose where-on-earth-is-it-going-to-go-next rhythms are the epitome of life itself, I can’t see this working. Indeed, after the first song Lara gracefully acknowledges the audience by saying good night, it doesn’t seem quite right.
Well. One standing ovation later, to the sounds of whooping and hollering and other more traditional Spanish noises, I can honestly say that this was some of the most beautiful guitar playing I have ever heard. Lara’s playing was masterful on every song, sometimes driving flamenco power, sometimes light jazzy flourishes that were ably accompanied by the piano (which deliberately or not seemed much quieter in the mix) and drums.
Even with jazz rhythms and breaks, the guitar playing was unmistakably flamenco and it perfectly skipped over the top or drove through the accompaniment with joyful results
Mercedes Ruiz came out for a couple of songs, and perfectly complimented the jazz infused music with some powerfully elegant dancing, that reconfirmed my feelings from the night before, that Flamenco is one of the most sensual dances in the world. Mix it with Jazz however, and that is something beautifully different.